瞬间征兆
就让画油画这件事情顺其自然地发生，而不是去定义它——没有声明、没有解释、没有过去、没有现在——全部目的是为了更真实、更丰富、更温暖，直到超出我所能理解的范围。

瞬间是形容刹那间，须臾，一眨眼的工夫。这一时刻的把握在我的作品中显现的特别重要。肉眼通过摄影镜头曝光的瞬间所捕获到的时刻，这个瞬间把艺术家推到了一个观察者的角度。和以往艺术相比艺术家没有把自己的激情通过笔触显现在画布上，而是用一种观点把自己的态度在画布上显现。对瞬间的再现，着重反映对象刹那的客观特征。对瞬间的把握同时也是窥视世界的一种方法。瞬间的速度感适合当代人生活的心理节奏，同时画面内容的瞬间性也表达了当代人内心的冷漠感和对欲望的窥窃心理。
当代艺术没有评价的标准，只是艺术上的一些征兆。艺术作品的外部形式是多样性的，任何一点变化都会有不同的暗示，外部形式的变动会产生新的象征意义。世界不是静止存在的，人活在世界上以不同的方式创造新的东西。人们可以通过语言来产生或者描述世界可以是什么。


潘罗敏

Instantaneous Omen “Instantaneity” has to do with a momentary, ephemeral interval of time. In my pieces you can see that grasping this present instant is especially important. An instant is captured by exposure of light through the photographic lens of the physical eye: this instant puts the artist in the place of an observer. In contrast with art as conventionally practiced, this artist does not manifest his passion on the painted surface by means of brushwork; instead, he works with a conception that can manifest his attitude. Representation of an instant primarily reflects momentary objective features of subject matter. Grasping an instant is a means of obtaining a revelatory view of the world. The speed of an instant is suitable for the mental rhythm of our contemporary life. At the same time, instantaneousness of painted content conveys the detachment of contemporary people’s inner world and the voyeuristic tendencies of desire. Contemporary art has no criterion for evaluation, so an artwork ends up being a creative kind of omen. The external form of an artwork is polysemic, so even a small transformation can be suggestive in various ways. Shifts in external form can produce symbolic meaning. The world does not exist in stasis. Living as human in this world, one creates new things in various ways. People can create novelty through language; the can describe what the world could be.